HAPPY NEW EARS – We are online!

The program of the International Congress HAPPY NEW EARS is online now. Here you can register for the congress. (Die deutsche Version dieses Blogposts finden Sie hier.)

The Children’s and Young People’s Theatre Centre (Kinder- und Jugendtheaterzentrum), in co-operation with National Theatre Mannheim’s Young Opera (Junge Oper), invite you to „Happy New Ears“ an International Congress on contemporary music theatre for young audiences between 20th and 22nd November 2016. The congress opens the Young Opera‘s „Happy New Ears“ European Festival of Contemporary Music Theatre for Young Audiences, which will take place between the 20th and 27th November on the occasion of the Young Opera‘s 10th anniversary.The congress will offer a practice-orientated encounter focusing on questions about, stances on and discourse around current aesthetics, developments in, approaches to, and qualities of music theatre for young audiences. This will take the form of experiment spaces, discussions, an agora style market place exchange and post-performance talks about festival shows watched during the congress. The congress aims to bring a variety of artistic perspectives and approaches into contact with each other and to create opportunities and ideas for the further development of contemporary music theatre.
A full programme of encounters, collaborative experimentation and research, as well as dialogue with international experts of various genres within music theatre production and creation, is on offer. We would like to invite music and theatre makers, students and all those interested in contemporary European music theatre for young audiences und its artists.
Central questions for these encounters and discussions are: What is contemporary music theatre for young audiences, particularly those between the ages of 0 to 12 years, and how does it present itself in Germany and Europe? What is involved in the staging of listening for young audiences? Where do stimuli for its further development come from? Where do opportunities arise for experimentation? Which fruitful interactions with other art forms arise in these opportunities, in cultural exchange and in exchange with a young audience? How can the development of experimental work methods be nurtured?
We are looking forward to welcome you as participant!


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